As winter has been long and grey back
home and I felt that this might be one of the last chances in Europe
to see a completely new metro system open (the next should be in
Thessaloniki and maybe in 10-15 years in Dublin...), I made a quick
decision and got an affordable flight ticket to Bergamo to visit
Brescia's metro on its opening weekend. A good and bad decision.
The metro opened its doors for the
general public on time, at 16 hours on Saturday 2 March 2013. Well, a
few months after its scheduled opening, but once a definitive date
had been announced a few weeks ago (still waiting for the final
approvals, though), all was prepared for a big party. And it seemed
that all of the city's 190,000 inhabitants plus those from the
surrounding region came in to try the metro on its first two days
when rides were free. So actually getting on the train was quite
difficult, at some stations in the central area even getting into the
stations, as these were blocked to avoid overcrowding. Service seemed
to be more frequent on Saturday, while on Sunday trains ran every 10
minutes only, which is probably o.k. for a normal Sunday, but not
today. Sometimes there were some disruptions, defective doors or
other failures, which caused some delays, but all in all the metro
seemed to prove it works, and probably it won't be put to the same
test for a long time.
Considering that this is not really a
big city which would normally have a metro, Brescia can now be proud
of what they have achieved. Together with Rennes and Lausanne, it is
among the smallest metro cities, and they all have driverless metros.
The system chosen here is the same found in Copenhagen, where it has
been working fine since 2000 (after many teething problems in its
early years), and also in Milan where line M5 opened only some weeks
ago (which I will visit on Wednesday). Compared to the VAL system in
Rennes, or closer from here in Turin, the Ansaldo system has the big
advantage that trains are 2.65 m wide which makes them much more
spacious and thus much more pleasant to ride that the VAL trains just
over 2 m wide. The Alstom system in Lausanne is similar in width. The
Ansaldo trains run on normal steel rails, which are laid correctly,
i.e. with the necessary superelevation in curves (not like the Canada
Line in Vancouver!) and trains ride quite smoothly except for a few
abrupt slowdowns, which may require some fine-tuning still. The
biggest problem in operation seems to be the excessive station
dwelling time. I don't know whether this was chosen on purpose for
this busy weekend or whether this will be the standard. It was now
around a full minute, when 20 seconds is normal in standard stations,
and 30-40 seconds in very busy stations like interchanges. If this is
different during normal operation please write a comment, thanks. At
the two termini, trains switch to the departure track when they enter
the station so they can leave immediately (in fact, with some delays
accumulated at Sant'Eufemia they seemed to depart quicker in the
reverse direction than they did in normal stations!).
The stations are huge and small at the
same time. Although the trains runs deep beneath the city centre in a
tube tunnel, all underground stations were built by cut-and-cover
which results in large impressive spaces, especially those where
several beams that hold the side walls were incorporated into the
design and which have one of those side walls clad in black metal
sheets. But basically in all underground stations the actual platform
area feels too small and narrow, most so at Vittoria which, right in
the heart of city, will become the busiest station on the system.
Being so small, there are no benches to sit down while you wait. And
being laid out for 3-car trains only, the stations are quite short
anyway (about 50 m). Unlike in Turin, there is no art whatsoever
exposed anywhere, so the stations look a bit austere. So at the end
of the day I thought, the stations are o.k. (I expect the M5 stations
in Milan to be rather dull, but who knows, may be surprised), and
some are very impressive when you enter the main hall, but they could
have been more exciting – so Naples has no reason to fear that they
will lose their number 1 position in Italian metro design.
The Brescia Metro doesn't actually have
a colour to give it some identity, maybe it's blue, but that's not
properly defined. Outside some stations in the central area, there is
already a logo post in blue, and the logo as such is also blue.
Inside the stations, the name is written in blue letters on the white
walls. Anyway, I don't like their logo, and I think it was a bad
decision not to use the standard metro logo used everywhere else in
Italy, i.e. the white M on a red square, which, like the German U on
a blue background, is known by everyone, while this is a local logo
that not even visitors from Italy will recognise as a metro entrance.
Unfortunately, smaller cities tend to be different for the sake of
it.
Despite a delay of several months in
opening the metro, the areas around most stations were not finished
now, maybe due to winter time, and as mentioned before, the logo post
was rather an exception at Stazione FS, Vittoria and Ospedale (maybe
some more station). The metro station at Stazione FS (Railway
Station) is actually not at the railway station, but some 100-200 m
further east and as of now, you have to guess where it is as inside
the railway station there is no hint, and once outside you can't
really see it as it is hidden behind a high and ugly building.
Vittoria station is close to the main shopping street and all the
major squares in the city centre, so that's really the most central
stop. San Faustino is at the northern fringes of the older part of
the city. Apparently there were early plans for another station at
Gramsci between Stazione FS and Vittoria, probably quite useful, as
the stretch between the two is rather long, and this would have taken
some burdon off Vittoria.
I'm sure that this metro will be
well-used as it runs through quite densely built-up areas, except for
the southern stretch from Poliambulanza to the terminus, which cuts
through some undeveloped land but there may be some construction
following soon. In fact, a new housing estate has already been built
around Sanpolino station, the only elevated station in a residential
area. The terminus Sant'Eufemia-Buffalora is also elevated but
surrounded by commercial and industrial sites. Between Poliambulanza
and San Polo Parco, the trains run at grade, with the first station
lying below grade, though, and accessible at both ends, while the
latter actually lies at grade and is accessible from the sides, so to
get to the other platform, passengers need to take an underpass,
embedded into a still-to-be-covered-with-plants kind of amphitheatre.
Only Poliambulanza and the two elevated stations at the end of the
line have island platforms. This is mostly determined by the
two-track tube tunnel which like on line 14 in Paris require side
platforms. Like in Paris, the track area is roofed over inside the
stations, which together with the platform screen doors helps to
reduce noise inside the stations. Most stations have skylights which
allow daylight to fall into the stations.
On the trains, there are acoustic and
visual announcements. Accoustically, the next station is announced
twice [prossima fermata – Vittoria; treno in arrivo a – Vittoria
… if I recall correctly]. For doors closing there is a permanent,
rather excessive peep while the doors are open (which is too long
anyway) and then a bit quicker when they close. When they are almost
closed, the lady says 'porte in chiusa' (doors closing). On the
platforms, mostly the waiting time for the next three trains is
shown, which is rather excessive, the next two would be enough and
would fit on one display; with three, the display switches all the
time, and passengers may be shocked if at their first look they see
'20 min', when the next train is actually in '10 min'. No-one except
a photographing metro enthusiast is interested in the third train
coming... to know when the second is arriving may be good to know in
case the first to pass is completely full, so it helps to decide
whether to squeeze in or let it go and wait for the next one. The
third one may reveal that service is running very irregularly. On the
platforms, the entering trains is also announced accoustically. Other
information is rather scarce. They put up an ugly line map including
all buses and the forthcoming changes to the bus map. But that's
about it. There are no station area maps, now a standard on metro
systems. There are ticket machines which have five languages, but as
usual, badly translated – Spanish and German speaking visitors have
to know French! to understand their versions as 'trip' is translated
as 'voyage'... The different ticket options are not explained in any
of the different language versions, so you need to guess what '24
ore' means if you don't speak Italian. And a '24 ore' ticket is only
3.40 EUR, so a German visitor may not even believe that 'ore' means
'Stunden' with this low fare! So, the customer information part has
room for improvement. Otherwise, signage is o.k. Maybe the pictograms
are not clear enough as at one station people asked me whether there
was a lift also in this station, and I said, it is right there, but
they didn't see it – the problem is that although stations are very
transparent and also the lift houses on the surface, the lift doors
on the platform are not made of glass but of aluminium – I don't
know why, but generally all lifts in public places nowadays are
transparent for safety reasons. People will probably use the lifts a
lot, because in many stations there are no escalators, especially
those at low depth, but like in Copenhagen, the stairs seem too
steep. The very deep stations generally have escalators from the
platforms to the lower mezzanine, and from there to the upper
mezzanine, but not from there to the surface, which is often still a
steep flight of stairs. Interestingly, Vittoria, the busiest station
on the line, has no escalators from the platform to the mezzanine,
although their are two sets of stairs, the same is true for San
Faustino, so this may lead to overcrowding on stairwells. The
advantage of escalators is also that they separate up and down
passenger flows.
It is pretty difficult to get a good shot of the train as it is either hidden behind platform screen doors or a small-mesh fence.
The initial plans included a western
branch south of the railway station. I don't know what the situation
of this project is now, it may depend on the success of the initial
line. In the tunnel I couldn't spot any visible sign for an already
built junction. Logically, it would have to diverge south of
Bresciadue station.
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